Ohelen is a creator who moves fluidly across music, theatre, and performance, exploring improvisation and narrative. Greta Oto is both a character and a...
《Access》transcends a simple sound performance, evoking a ‘sense of connection to the world’ through the sensory experience of sound. This intersects with modern society's...
《Boisterous Bodies》 begins with the bustling gestures of a traditional Korean marketplace. Everyday actions—vendors rhythmically calling out “Come and buy!”, a candy seller performing...
Piri ensemble “Happy Bamboo”, consists of students majoring in piri (double-reed end-blown bamboo pipe) at the School of Korean Traditional Arts. As a self-organized...
KNUA Percussion Ensemble, which comprises students majoring in percussion instruments, has been widely recognized for its exceptional prowess based on systematic and practical education...
Hwang Hyo-duck is interested in confrontation points that enable to persist in the state of matter despite of contradictory concepts, and in the third...
G stands for Geomungo instrument(Korean traditional six-stringed zither), and ‘G.street’ means to navigate the direction of geomungo and to walk the path of the...
KNUA(Korea National University of Arts) Symphony Orchestra was founded with the establishment of the School in 1993. It has engaged in an active international...
Lee Aram’s research-driven practice reinterprets materials found within institutions, often seeking to relocate their role and purpose though performative events, film, and video installations....
