《Access》 by Bézier
Electronic Music Live Performance
Access is an electroacoustic music–based sound performance that explores the technical and ontological meanings of the act of “access.” Through tactile–auditory transference using conductive objects, the detection of invisible signals via radio and noise, and spatial experiences created with multichannel speakers and lights, its five parts sensorially reconstruct moments in which reality and the virtual intersect. Access uses sound not as a mere background but as a medium for shaping a nonlinear terrain of time and sensation, inviting the audience to experience “reconnecting with the world” through listening.
Composer | Minhwi Cha, Bokyeong Shin, Yeabon Jo
Performers | Minhwi Cha, Bokyeong Shin, Yeabon Jo
(Minhwi Cha, Bokyeong Shin, Yeabon Jo)
School of Visual Music,
Music Technology
Electro-acoustic Music Composition Major
(currently pursuing a Master’s degree)
Bézier is a group of three sound artists who create listening-based works that explore the boundaries between technology and sensation, calculation and intuition, the artificial and the natural. Bézier reflects on the point where algorithmic structures and organic flows intersect and, through techniques such as sound synthesis, data sonification, conductive objects, and multichannel sound, translates movements of perception and transformations of being into sound within music. Rather than prioritizing technological outcomes, their work centers on auditory experiences that provoke reflection, proposing new modes of connection between reality and the virtual, and between humans and their environments through sound.