{"id":10001,"date":"2025-10-04T18:06:41","date_gmt":"2025-10-04T09:06:41","guid":{"rendered":"https:\/\/kartsbap.co.kr\/?post_type=artists&p=10001"},"modified":"2025-12-23T00:14:00","modified_gmt":"2025-12-22T15:14:00","slug":"%e3%80%8ala-plante-dansante-de-desastres%e3%80%8b-by-seon-ah-jo","status":"publish","type":"artists","link":"https:\/\/kartsbap.co.kr\/ko\/artists\/%e3%80%8ala-plante-dansante-de-desastres%e3%80%8b-by-seon-ah-jo\/","title":{"rendered":"\u300a\ube44\uc131\uc758 \ubb34\ucd08\u300b \uc870\uc120\uc544"},"content":{"rendered":"
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\u3010\ube44\uc131\uc758 \ubb34\ucd08\u3011\ub294 \uc545\uae30\ub97c \uc2e0\uccb4, \ud639\uc740 \uc2e0\uccb4\ub97c \uc545\uae30\ub85c \uc778\uc9c0\ud558\ub294 \uc5f0\uc8fc\uc790\uc758 \uc218\ud589\uc801 \uc2e4\ucc9c\uc774\ub2e4. \uac00\uc57c\uae08\uc774\ub77c\ub294 \ud55c\uad6d\uc758 \uc804\ud1b5 \uc545\uae30\uc5d0 \ub3d9\uc591 \uc5ec\uc131\uc758 \ubab8\uc744 \uac00\uc9c4 \uc5f0\uc8fc\uc790 \uc790\uc2e0\uc744 \ud22c\uc601\ud55c\ub2e4. \uc545\uae30\uc640 \uc2e0\uccb4\uc758 \uc5f0\uacb0\uc131\uc740 \uc678\ubd80\uc640 \ub0b4\ubd80\ub85c \ud655\uc7a5\ub418\uc5b4 \uc5ec\uc131\uc758 \ubab8\uc5d0 \uc694\uad6c\ub418\ub294 \uc0ac\uba85\ub4e4\uc744 \uac70\ubd80 \ub610\ub294 \uc7ac\ud604\ud558\uac70\ub098 \uc774\ub984\uc5c6\ub294 \uc18c\ub9ac\uc758 \uc774\uba74\uc5d0 \uc9d1\uc911\ud55c\ub2e4.<\/p>\n

\u201c\ub0b4 \ubab8\uc774 \ub300\uc548\uacf5\uac04\uc774 \ub420 \uc218 \uc788\uc744\uae4c?\u201d\ub77c\ub294 \uc9c8\ubb38\uc740 \uc5f0\uc8fc\uc790 \uc790\uc2e0\uacfc \uac00\uc57c\uae08 \ubaa8\ub450\ub97c \ud574\ubc29\uc2dc\ud0a4\uace0\ud508 \uc758\uc9c0\uc774\ub2e4. \uc545\uae30\uc758 \uc8fc\ubc95, \ucda4\uc0ac\uc704, \uc18c\ub9ac\uc758 \ubc18\ubcf5\uc740 \uc0dd\uc0b0\uacfc \ud6a8\uc728\uc744 \ubc18\ubcf5\ud558\ub294 \uc2e0\uc790\uc720\uc8fc\uc758\uc5d0 \ub300\ud56d\ud558\ub294 \ubab8\uc9d3\uc774\ub2e4. \uc544\ub984\ub2e4\uc6c0\uc758 \uad6c\uc6d0. \u3010La plante dansante de desastres\u3011\ub294 \uc7ac\uc559 \ud55c\uac00\uc6b4\ub370\uc11c \ucda4\ucd94\ub294 \ud480\ub4e4\uc758 \ucd95\uc81c\ub2e4.<\/p>\n

\uacf5\uc5f0\uc774 \ub05d\ub09c\ud6c4, \uc0ac\uc6b4\ub4dc\uc2a4\ucf00\uc774\ud504 \uc804\uc2dc\uac00 \uc774\uc5b4\uc9c4\ub2e4<\/p>\n

\u00a0<\/p>\n

Artistic Director, Choreography, Composer & Sound Design, Performer | Seon-ah Jo<\/p>\n

Video | Syeyoung Park
Outside Ear | Seungki Hong<\/p>\n

Special Thanks to Creative Collaborators<\/p>\n

Production Management | Sang-Hee Bae
Spatial Design | Hyejeong Kim (NACA)
Artistic Advisor | Diana Band
Buddhist Chant Guide | Seung-hee Lee
Photo Documentation | Kwanhee Yoon
Video Documentation | Chang-gu Kim<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\uc870\uc120\uc544\uc758 \uc791\uc5c5\uc740 \uc804\ud1b5\uc74c\uc545, \ud37c\ud3ec\uba3c\uc2a4, \uc0ac\uc6b4\ub4dc \uc124\uce58\uc758 \ubc29\uc2dd\uc744 \uacb0\ud569\ud558\uc5ec \uc6c0\uc9c1\uc784\uacfc \uc18c\ub9ac\uac00 \ud568\uaed8 \uacf5\uac04\uc744 \ud615\uc131\ud558\ub294 \uc21c\uac04\ub4e4\uc744 \ub4dc\ub7ec\ub0b8\ub2e4. \ud544\ub4dc \ub808\ucf54\ub529, \uc120\ud48d\uae30 \ubc14\ub78c\uc5d0 \uacf5\uba85\ud558\ub294 \uac00\uc57c\uae08 \ub4f1 \uc0dd\ud0dc\uc801 \uc791\uc5c5 \ubc29\ubc95\ub860\uc744 \ud1b5\ud574 \uc778\uac04\uacfc \ube44\uc778\uac04 \uc874\uc7ac\uac00 \ub9fa\ub294 \uad00\uacc4\ub97c \uc0c8\ub85c\uc6b4 \ubc29\uc2dd\uc73c\ub85c \uc81c\uc548\ud55c\ub2e4.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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https:\/\/heterophony.kr\/laplante\/ <\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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http:\/\/art.karts.ac.kr\/magazine\/53\/artist-3.html <\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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https:\/\/sorifestival.disco.ac\/playlist-new\/24717298?date=20250806&user_id=2911651&signature=Ym__mmkHLU35jw9Xd3nFX_6i22Q%3ASHHohF8J<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\tPhone: +82-10-2801-3721\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Email:\u00a0 <\/span>seonahworks@gmail.com<\/span><\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

\u201cCan my body become an alternative space?\u201d
\nJo Seon Ah, a Gayageum player and creator, projects herself\u2014an artist with hew own female body\u2014onto the traditional Korean instrument. The connection between instrument and body expands outward and inward, rejecting or re-enacting roles imposed on women, while focusing on the hidden layers of nameless sounds. The repeated gestures, techniques, and tones become acts of resistance against the neoliberal cycle of production and efficiency. \u300aLa plante dansante de d\u00e9sastres\u300b is a festival of grasses dancing in the midst of disaster.<\/p>","protected":false},"featured_media":10516,"template":"","artist-type":[340],"class_list":["post-10001","artists","type-artists","status-publish","has-post-thumbnail","hentry","artist-type-solo-performance"],"acf":[],"yoast_head":"\n\u300aLa Plante Dansante de D\u00e9sastres\u300b by Seon-Ah Jo - K BAP : K-Arts Beyond Art Project<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kartsbap.co.kr\/ko\/artists\/\u300ala-plante-dansante-de-desastres\u300b-by-seon-ah-jo\/\" \/>\n<meta property=\"og:locale\" content=\"ko_KR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u300aLa Plante Dansante de D\u00e9sastres\u300b by Seon-Ah Jo - K BAP : K-Arts Beyond Art Project\" \/>\n<meta property=\"og:description\" content=\"\u201cCan my body become an alternative space?\u201d Jo Seon Ah, a Gayageum player and creator, projects herself\u2014an artist with hew own female body\u2014onto the traditional Korean instrument. The connection between instrument and body expands outward and inward, rejecting or re-enacting roles imposed on women, while focusing on the hidden layers of nameless sounds. 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